Showing posts with label men. Show all posts
Showing posts with label men. Show all posts

20 September 2015

LION & HAWK

A businessman walks along the 5:45's platform puffing on an e-cigarette.     — “Mate!” calls the platform attendant, “put your cigarette out.”     — “It’s not a cigarette.” says the businessman plaintively.     — “Doesn’t matter,” responds the attendant.  “Cambridge City ordinance. 2014. Includes e-cigarettes in its banning orders.”     — “Oh, sorry.” the business man affirms.  He has the tone of dog-with-tail-between-its-legs.

While I mentally note the exchange, I continue writing my daily card to MaryJane, my shut-in neighbour.  Yesterday’s dog walk brought me onto what sounded like a North American Indian Council of War.  The Hare Krishna had captured Castle Hill.  There, towering over city centre, chants of Hare. Hare. Hare Krishna. Hare Rama. were literally enchanting.

Now, on the platform, with the businessman turned-tail, the attendant took note of me writing.  People often do.  And, they become self-conscious, concerned that I write about them.  This one, the attendant, is making out that he hasn’t noticed me as he does.  It’s normal behaviour: this pretense of I am not thinking of you; therefore, you do not exist

He takes a wide, arching path around me, craning his neck to determine what I’m doing.  I pretend not to notice.  But, as he swings around behind my left shoulder, I turn to stare into his eyes.  He is easy on the eyes, a handsome mid-twenty something.  The look forces a confession from him.     — “Oh, it’s a postcard.” he says without a measure of surprise.     — “Does that matter!” I demand.  “What,” I ask more playfully, “might it have been?”  He holds his distance, like a man who finds himself in the lion’s enclosure at the zoo.     — “I thought you were National Rail.  . . . I mean,” he catches himself, “I thought you were an under-cover security agent.” 

The strain he was under couldn’t have made him more vulnerable.  My inner lion pulsed.     — “And, you’ve come to blow my cover, have you?”  He has no answer.  He backs away, as you might from a lion, believing that slow, measured steps might mesmerize the beast into inaction.  And, I turn my attention back to the card, running off to post it before the train arrives.

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Pay a man attention, and he can be yours!
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On return to my stand on the platform, there is the attendant.  He’s watching everyone, having released his inner hawk.  Among his jobs is looking out for would-be jumpers.  Suicide by train is a bit too common.  He is also responsible for ‘releasing’ the train.  Most attendants will release a train and walk on to the next train’s platform.  Now seated inside, I sense that this one might be different.  At the sound of his whistle, a precursor to release, I down my pen, turn to look across the carriage, and stare out the window.  I’ll have a final glimpse of him, to see if his curiosity turns him one last time.

The train pulled slowly forward.  The fluid landscape of the station outside drew the figure of the platform attendant into view.  Arms crossed.  Less than a few inches from the glass.  Staring in at the caged lion, as if he were a falconer’s hawk looking on a kitten.


The National Rail’s inspector turns his attention to the young man in a corner of the carriage.  Conspicuous in his discomfort seated across from a beautiful young woman, the young man pulls at his t-shirt.  Crosses his arms in an attempt to hide a burgeoning tummy.     — “Gerbil,” I think.  “Gerbil. Hawk. Lion.”


  

Incidentally, on the 16:14 train home out of London, Kings Cross, I sat opposite a National Rail inspector in the far back corner of the train's first carriage.  In a small black notebook, in which was printed a rail map, he noted conditions within and outside the carriage at various way-points along the line.  When he thought that no one was looking, he unfastened his belt and slid his trouser button from its hole.
  
  

01 June 2012

What a bizarre morning!


(Originally posted on a now defunct blog a few months ago.  Slightly modified, here.)

Fog was lifting when a white van drove ahead of me down the road on which I was walking the dogs.  The bald man inside gave us a cherubic smile and a curt wave as he passed.  It was a slow motion moment, the kind that usually foreshadows an horrific event in a B-grade film.  On cue, headlights raced out of the fog from the opposite direction.

The road, aptly named Prospect Row, bears the markings of a two lane road.  It’s the kind of thoroughfare that can easily confound an American.  The road appears to be too narrow for passing traffic.  Yet, pass it does.  One vehicle will hug the curb.  The other will climb onto the pavement (i.e., the sidewalk).  That is what the white van did.  It crawled in advance of us, leaving the bulk of the roadway to the approaching car.  But the car, refused to give way, claiming the middle of the road defiantly.

Now, cleared from the fog, the car showed itself to be one of the smallest and narrowest of cars travelling British roads.  “ForTwo” announced its paint-job.   ForTwo! ForTwo! ForTwo! ForTwo! ForTwo!  Inside, it carried a passenger of one.  The van came to stand-still in our path, on the pavement, while the driver of the ForTwo rev-ed the engine as though it were the baddest thing on the block.  As time slowed further, it seemed that we approached a singularity, its event horizon pitched between wheels and opposing headlights.

With no movement from the vehicles, the dogs and I swung around the van, into the road, in front of the ForTwo, and down the intersecting alley that leads toward City Road.  From our moment in the headlights, the drivers came into view.  The driver of the van looked on with the eyes of a Pac-Man ghost.  The driver of the ForTwo, with the eyes of Gossamer, the Red Monster of Bugs Bunny fame, though the look of the female driver was pure rendition of Nancy Walker on 1959′s album cover of I Hate Men.  With our passing, the engine of the ForTwo fell silent; and, the driver’s door was thrown open.  The driver appeared to crouch behind it in the fashion of American TV cops, using the door as a shield.  The world of opposites was about to become the more peculiar.

The woman marshaled herself from behind the door, stepping forward forcefully on goose-stepping legs.  Rounding at the waist, she stood no taller than the driver’s side window; here was Pac-Man.  At the same time, the door of the van was propped open; and, its driver threw himself out.  He wore painter’s white over gangly limbs that now seemed to have been bent up improbably inside the van.  He was monstrously tall, preposterously thin.  She approached him at speed.  Why have you blocked my way? she demanded.  Her voice was gruff, and, deep.  You saw me coming! she added empirical fact to countermeasure the fact that she, too, must have seen him coming.  To this he answered, Why have you not moved aside?  His voice was as high as the foggy clouds from which he spoke.  Must you have taken the middle of the road? he attempted to clarify his question.  She would have nothing of questions that were not her own.

I don’t know how long they remained there, at impasse.  The fog was burning off.  Children on bicycles were beginning to race madly toward school.  It, soon, would be unsafe to remain there with dogs at the ends of their leads.