This morning finds my dog Max
in the dog-house. Too bad, his dog-house is his home rather than
some shabby warren out at the far end of the garden. That is where he belongs this morning. Banished.
Max is lovable indoors
but a kind of beast outside. There, his
inner dog is released. He is become a take-charge
personality. So strong can be his intent
that no ordinary lead suits him; so strong, that he’d sooner choke himself than
be denied his will. We’ve tried other
leads, those that attach themselves to a “take charge” head harnesses for
example; but, Max is the master of escape.
He wears a padded harness, designed for dogs riding in cars; it’s the
closest thing that the dog world has to a straight jacket.
A standard poodle lives
in the neighbourhood. Standing a head
taller than Max, whatever the dog’s breed or disposition, is an open invitation
to play. A standard poodle is one such
dog. Trouble is, Max is a ‘coon-hound;
and, his way of issuing that invitation wells up from his chest, in a
resounding, deep hunting-dog’s croon. It
is a language that neither standard poodle nor its master — a plain-Jane office
worker type — understand. Imagine that
you are completing your rounds in the supermarket, when someone you don’t
really know shouts out, Hey! You. Yeah, you! Get
yourself over here, and, let me give you a cuddle. NOW! Indeed, it is a language that the other dog
and master appear to fear. Unfortunately,
in the dog world, nothing telegraphs with greater resonance than the
sign-language of fear. That hurried
backing away indicates that they’ve translated Max’s invitation to play as I
want to eat you all up.
It is then that the real
trouble begins. Max knows no rejection
and will never know rejection even when it bites him on the arse. What follows the hurried backing away is a
renewed coon-hound’s croon to which is added the sign-language of Wait! No, wait. We really have
to play. Trouble is, with a
dog bred to leap into trees after prey, Max appears to be lunging madly. In the slow motion of events unfolding before
eyes that would rather they be blanketed, it is then that Max goes “House of Flying
Daggers”. Max is flying at the end of his lead. He is flying., I
hear myself relaying events to myself in a reporter’s dispassionate calm if
only to mask my horror.
With Maya, my other dog, pulling at my
other arm, encouraging Escape!,
it is all I can do to hold my flying dog between his Heaven and my Hell.
I lean back against his forward thrusts. I wind the lead around my hand until the colour of the hand goes
the red of a child holding his breath, until the lead is short enough to breach
the space between my hand and the nape of his neck. As I latch onto his neck — the baby-fat that a mother
dog would have used to carry her pup — Max’s croon is broken like a teen-age
boy’s voice, broken with surprise.
My arm is a crane. It brings him back to earth, corps à corps. The standard poodle’s master uses the moment
of distraction to make a break, to run for it, to get away. From the corner of my eye, it appears that
she, bundled in her beige winter’s coat, its hood up, brimming with fur lining,
. . . it appears she has become a squirrel,
scrambling away with what speed her legs can muster. It’s only more sign language in dog world. Game
on, thinks Max. I’ll
catch you, if I can. My
voice commands him, Sit!
Stay!, as though someone more commanding has stepped into my body. My voice has dropped octaves. Leave
it!, I insist as though standard poodle were one of Maya’s toys. As I struggle to command his sight, Max
struggles to break free.
Amidst main street’s
morning bustle, I seem to be having an out-of-body experience. I hover above the scene, not like a halo on a
saint but as a demon on my shoulder. I
notice that passersby eye me with a mixture of horror . . . fear . . . disdain.
What I am feeling is the shame of a
parent, caught-out, having to discipline a naughty child in public. The feeling is heavy; and, I seem to sink back
into myself. Be good boy, I say. Wait
’til I get you home. Who am I
kidding? "Home" registers as a
command Max is willing to recognize. He’s
off, tail wagging, toward home.
Here, he is decided, to
take his punishment laying down. He runs
off to the guest room, and, throws himself down upon the center of the body of
the bed. Corps à corps, indeed. Here, sleep has over taken him. He runs through wild fields — in his dreams,
as indicated by the movements of legs — no doubt, joined by the standard
poodle. Here, he will sleep until the
sun through the room’s sky-facing windows no longer warms him. And, then he will be of a mind to hound me: Take me outside again!
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